Coachella 2025: Sand, Sweat & Slay—But Where Were the Bags?

by Thea Elle | Apr 16, 2025 | Luxury Industrial Complex

Style Companion

Coachella 2025: Sand, Sweat & Slay—But Where Were the Bags?

by Thea Elle | April 16, 2025 | Style Guide

Coachella used to be about the music. Allegedly.

Fast forward to 2025, and the annual dust-storm-turned-desert-runway has fully evolved into a social experiment. What happens when you trap 50,000 influencers in the heat with no shade, unlimited rhinestones, and a desperate need to go viral?

You get fringe. Glitter. Tulle tutus on grown women. And sweat—so much sweat. But you know what we didn’t get? Bags. Not a Birkin. Not a MIU MIU wander. Not even a tragic tiny Chanel vanity case that holds a single Altoid and a prayer.

It’s like the entire lineup said, “Let’s give face and fringe, but leave the accessories in the Uber.” So here we are—grieving the handbag moments that never were and imagining a world where these slays were paired with actual fashion credibility… on the arm.

Let’s dissect the chaos, one look at a time.

Pastel HERMES Kelly bag on a spring background

Tyla x Becky G: Chrome, Sweat & Strategic Sparkle

Tyla’s Coachella debut was shimmering, sweaty, and choreographed within an inch of her toned life. She hit that stage like a cyborg mermaid. Metallic mesh. Body chains. Hair slicker than an oil spill. Then BAM—Becky G appears like a hologram of herself, twinning in silver and sparkle, and the desert collectively lost its mind.

It was futuristic. It was femme. It was giving “pop stars from a utopian parallel universe who only eat glitter and adoration.” But… it was missing hardware. Something arm-candy-adjacent. Something to hold backup glitter and backup lashes.

Bag They Should’ve Carried:

LOUIS VUITTON Capucines Mini in Silver Metallic Leather.

It’s sleek, shiny, and smart. A bag for women who sing, dance, slay—and still have room for a holographic powder compact and their dignity. This would’ve matched the chrome fantasy and held Becky’s mic pack like a glam utility belt. Missed opportunity? Absolutely.

The Go-Go’s x Billie Joe Armstrong: Punk-Pastel Crossover Nobody Saw Coming

This was not on anyone’s 2025 bingo card. The Go-Go’s came back with their punkish pop flair and played the hits, while Billie Joe popped up like your favorite washed-up cousin from 2004—with eyeliner that hasn’t moved since American Idiot dropped.

It was nostalgic. It was chaotic. Billie looked like he had just left a Hot Topic in Fresno. The Go-Go’s looked like they’d walked straight out of a Blondie tour bus. Iconic. But where was the arm flair? Where was the leather? The punk pouch? The pastel shoulder slinger with something to say?

Bag They Should’ve Carried:

BALENCIAGA Le Cagole XS in Hot Pink Crushed Leather.

This bag is the Y2K revival in purse form. Think Paris Hilton meets Avril Lavigne with a trust fund. It’s edgy. It’s girly. It says, “I might cry after this set but I’ll look hot doing it.” Honestly, it could’ve had its own moment onstage mid-riff and nobody would’ve questioned it.

Lady Gaga (aka Gagachella): The Resurrection of a Thousand Eras

Gaga didn’t just headline—she summoned the spirits of her past selves and held a séance mid-performance. The meat dress was reinterpreted in vegan leather scraps. The Paparazzi crutches reappeared. At one point, she wore a crown made entirely of VHS tape and fan tears.

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She was giving: 2010 Tumblr glitchcore meets religious trauma cosplay. It was stunning. It was theatrical. But you just know her look was missing the final chaotic touch—a completely nonsensical, overpriced, niche designer bag.

Bag She Should’ve Carried:

HERMÈS Kelly Danse in Black Swift Leather.

The ultimate shapeshifter of Hermès bags. It morphs. It straps. It belts. You can wear it on your hip like a freakishly chic utility pouch or toss it crossbody like a noir satchel of secrets. Gaga could’ve used it to store stage props, fan letters, or even a sandwich for later. It’s art, it’s function, it’s Gaga in leather form.

Lana Del Rey: Lace, Gloom & Disassociation

Lana floated onto stage like a Victorian ghost who just got back from brunch with death. Lace gloves, blue velvet, and that aura of “I’m not really here, and neither are you.” She whispered melancholia into the mic and made us all question our life choices.

Gorgeous. Haunting. Ethereal. But let’s be real—she looked like she needed a bag to match her “dying in slow motion” aesthetic.

Bag She Should’ve Carried:

CHANEL Mini Flap Bag in Black Velvet with Gold Hardware.

It’s dramatic. It’s soft. It could carry a single rose petal and a black-and-white Polaroid from 2009. This is the bag you clutch dramatically while staring into the void or ordering one (1) espresso in a hotel lobby you don’t belong in.

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Ice Spice: Bling, Beats & Zero Storage

Ice Spice showed up like a Bratz doll who survived the apocalypse—and looked good doing it. Bedazzled bikini top, mesh skirt, hair higher than the rent in Palm Springs. The bass dropped, and she hit every beat with the attitude of someone who knows she’s the moment. Because she is.

But the girl had nothing to hold her phone. Not even a micro-mini clutch hanging off her belt. Was the look fire? Yes. Was it practical? Absolutely not. We were stressed.

Bag She Should’ve Carried:

MIU MIU Wander Matelassé Hobo Bag in Fire Engine Red.

It’s puffed. It’s padded. It’s giving “I’m cute but I could fight.” Plus, it’s big enough to hold a compact mirror, gum, and 17 burner phones. Perfect for a girl whose verse goes viral every three days.

SAINT LAURENT Loulou bag in brown leather surrounded by autumn leaves

Final Thoughts: Coachella’s Fashion High, Bag Game Low

We saw mesh. We saw pasties. We saw someone use a plastic CVS bag as a purse (was it ironic? was it tragic? we’ll never know). But where were the real bags? The Birkins? The baller CHANEL flap bags? The drama-inducing Prada Cleo? These weren’t just missing—they were erased.

What we got instead was a sea of micro-pouches and sad belt bags. We deserve more. We deserve a HERMÈS on stage. A CHANEL slung over a sweaty shoulder. A BALENCIAGA Le Cagole used to fan yourself between sets. Give us bags that bite back.

Coachella is not just a festival. It’s a fashion coliseum. And if 2026 doesn’t come with at least one MIU MIU moment mid-twerk, we riot.

Want to steal the look?

Head over to Cris & Coco for bags that didn’t make it to Coachella, but deserve a place in your closet. Dust not included.m of fashion.

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Broke, Bougie, and Balenciaga: Inflation’s a Farce, but Fashion’s Still Flexing

by Thea Elle | Apr 14, 2025 | Satire

Style Companion

Broke, Bougie, and Balenciaga: Inflation's a Farce, but Fashion's Still Flexing

by Thea Elle |April 15, 2025 | Style Guide

Remember when luxury meant going large on milk tea with all the add-ons? Now you scroll past a stranger’s HERMÈS haul and quietly wonder if they mortgaged a kidney or just gave up electricity. The lines between parody and reality have never been blurrier. This is life under late-stage capitalism, accessorized with memes, anxiety, and a designer bag you can’t afford.

Inflation is no longer just a line item on a news ticker. It’s a daily mood, a shared punchline, and the unofficial mascot of your FYP. Eggs are $10, onions are treated like assets, and gas prices are a conversation starter on par with the weather. Meanwhile, luxury fashion seems untouched by earthly concerns, continuing to ascend into the stratosphere like it missed the global memo.

But amid the chaos, something unexpected has happened: replicas are no longer whispered secrets. They’re a movement. And in a world this upside-down, choosing a dupe over a designer original isn’t just a budget-conscious decision—it’s cultural commentary.

Memes Are the Modern Market Report

We no longer talk about inflation in serious tones—we meme it. Economics, once reserved for analysts and dry academic papers, is now translated into viral jokes, satirical TikToks, and tearful-but-funny storytimes. It’s how we process the absurdity without drowning in it.

One minute, you’re watching a fashion influencer unbox a five-figure gown. The next, you’re laughing at a video of someone calculating how many eggs they can buy before payday. It’s comical, yes—but it’s also a coping mechanism. Humor is our last defense in a world that keeps raising prices but not wages.

In that landscape, carrying a replica DIOR isn’t “fake”—it’s a form of fashion fluency. You’re fluent in irony. You understand the game. And you’ve chosen not to play by their rules.

Replicas Aren’t a Secret Anymore—They’re a Statement

For years, replicas were viewed with suspicion, even shame. They were hush-hush purchases, hidden away from public view. But today? They’re louder, prouder, and smarter than ever.

Because here’s the thing: if a $3,000 handbag is considered normal during an economic downturn, then the real absurdity isn’t in buying a replica—it’s in insisting on paying full price. Especially when today’s replicas are crafted so meticulously, even seasoned fashion lovers are doing double-takes.

That PRADA-inspired crossbody you snagged from a boutique at a fraction of the cost? It doesn’t make you a poser. It makes you practical. Savvy. Even subversive. You’re not chasing labels—you’re rewriting what they mean.

And no, you’re not “pretending” to be rich. You’re poking fun at the very idea that wealth is something to mimic. That’s not fraud—it’s fashion with a sense of humor.

Luxury Has Lost the Plot—And the Rich Know It Too

This shift isn’t just coming from budget-conscious fashion lovers. Even those in the upper-income brackets are starting to question the sanity of luxury pricing. When brands like GUCCI and BALENCIAGA raise prices with each collection—often without any major upgrades—what you’re really paying for is the illusion of exclusivity.

And people are catching on.

The buzzword of the moment? Quiet luxury. Understated. Neutral. Minimal logos. But let’s be honest—replicas have been doing quiet luxury for years, long before it was rebranded by stylists and Netflix dramas.

What the fashion elite are calling “stealth wealth” now? It’s what the rest of us have been doing out of necessity and good taste: carrying classic, elegant bags that don’t scream for attention—but whisper confidence.

You don’t need a billionaire’s budget to be in on the trend. In fact, not needing to overspend might just be the trend itself.

The Real Flex in 2025? Having Taste Without Going Broke?

Luxury’s biggest magic trick was convincing us that logos equaled legitimacy. That a certain stamp or monogram could elevate your status or validate your worth.

But in 2025, the illusion is wearing thin. The people still buying into the game are often the ones trying hardest to stay relevant. Meanwhile, those opting for well-made replicas are not “falling for it”—they’re laughing at it. All the way to checkout.

The quality of many modern replicas is no longer laughable—it’s admirable. Some are made by the same hands in the same factories, minus the middlemen and markup. More importantly, they let you participate in fashion without becoming a cautionary tale.

And if someone raises an eyebrow at your bag? Let them. They probably just paid two months’ rent for theirs. You, on the other hand, still have money left for groceries—and a great outfit to match.

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Inflation Is the Reality—But Replicas Are the Remedy

The cost of living keeps climbing, but paychecks feel stuck in a time loop. When buying a “real” luxury item means going into debt or skipping essentials, something’s clearly off.

Replicas don’t just give you access—they give you back autonomy. They strip away the smoke and mirrors and remind you that style is personal, not financial. And that you don’t need corporate approval or astronomical prices to feel good in what you wear.

They aren’t knockoffs. They’re opt-outs. They’re your way of saying, “Thanks, but no thanks,” to a fashion system that thrives on exclusion and markups.

This isn’t about settling. It’s about redefining the rules—and deciding that your self-worth doesn’t need a price tag.

Luxury fashion as performance art in the age of inflation

The Real Flex in 2025? Having Taste Without Going Broke

Luxury’s biggest magic trick was convincing us that logos equaled legitimacy. That a certain stamp or monogram could elevate your status or validate your worth.

Inflation Is the Reality—But Replicas Are the Remedy

The cost of living keeps climbing, but paychecks feel stuck in a time loop. When buying a “real” luxury item means going into debt or skipping essentials, something’s clearly off.

They aren’t knockoffs. They’re opt-outs. They’re your way of saying, “Thanks, but no thanks,” to a fashion system that thrives on exclusion and markups.

This isn’t about settling. It’s about redefining the rules—and deciding that your self-worth doesn’t need a price tag.

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Beans, Bags & Balenciaga: Inflation Is a Joke (But the Punchline Is Couture)

by Thea Elle | Apr 12, 2025 | Luxury Industrial Complex

Style Companion

Beans, Bags & Balenciaga: Inflation Is a Joke (But the Punchline Is Couture)

by Thea Elle | April 12, 2025 | Style Guide

Remember when splurging meant ordering a large milk tea and adding pearls? These days, you scroll past someone’s HERMÈS haul and wonder if they had to auction off their electricity to afford it. Welcome to late-stage capitalism—now served with a side of meme culture and chronic financial anxiety.

Inflation isn’t just a line in the news or a stat economists argue about over burnt coffee—it’s the main character of the internet. Our feeds are flooded with memes of people “investing” in onions like they’re gold bullion. We joke about gas prices as casually as we do our exes. And all the while, luxury fashion continues its surreal ascent, pretending like the world isn’t falling apart one overpriced oat latte at a time.

And amid the noise? Replica luxury bags are having a renaissance. No, not as a shameful secret. As the smartest flex in town.

A viral meme featuring a GUCCI bag with the text "1 BR Apartment or This?

Meme Culture Is the New Economic Survival Guide

In 2025, people don’t talk about inflation—they post about it. Humor has become both resistance and relief. Instead of spreadsheets and TED Talks, we process the economic collapse through TikToks of someone crying in their car because eggs hit $10 per tray. It’s the digital age’s answer to screaming into a void.

It’s funny until you realize it’s real—and that’s where the duality lies. Social media is now a battleground between extreme wealth and shared struggle. One swipe shows you Kylie’s latest custom DOLCE & GABBANA corset, the next is a viral meme about selling feet pics to afford rent. It’s giving Marie Antoinette cosplay while the rest of us are Googling “how to boil rice with tears.”

So when you pull up with a replica DIOR bag that looks like it came off a Vogue editorial but cost less than your phone bill? That’s not a knockoff. That’s a commentary.

Replicas Aren’t Cheap—They’re Cheeky

In an era where billionaires are launching themselves into space while you’re stretching sardines over two days, luxury has lost its moral compass. What used to be “aspirational” is now just absurd. A GUCCI handbag for $3,000? During a recession? That’s not fashion. That’s performance art.

Here’s where replicas win: they let you play the aesthetic game without becoming its victim. They’re not about faking status—they’re about refusing to be priced out of style. That PRADA-inspired crossbody you snagged from a boutique for a fifth of the price? It’s not fake. It’s freedom.

You’re not mimicking wealth. You’re mocking it. And honestly, that’s more powerful.

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Even the Rich Are Quiet-Quitting Luxury

Let’s not pretend this is just a broke girl’s rebellion. Even high-net-worth folks are starting to rethink luxury. With brands like GUCCI, BALENCIAGA, and YSL raising prices like there’s no tomorrow, the line between investment and insanity is blurring fast.

A humorous look at the absurd choices inflation forces on consumers, contrasted with luxury aesthetics

The Real Flex? Outsmarting the System

Luxury’s biggest con was convincing us that exclusivity equals value. That a certain logo could raise your social status. But here’s the 2025 plot twist: the only people still believing that are the ones paying full price. The rest of us? We’re in on the joke—and we’re laughing all the way to checkout.

Winter Glam: Velvet, Leather, and a Whole Lot of Drama

When the temperature drops, it’s time to turn up the drama. Winter bags are all about luxurious materials like velvet and patent leather, with rich, moody colors to match. Your bag should be the perfect plus-one to your winter wardrobe, shining through all those layers. Think deep emeralds, sleek blacks, and chic patent finishes. Bonus points if your bag looks fabulous next to a hot chocolate (or champagne).

Inflation Is Real—But So Is Style

When living costs are spiraling and salaries are stuck in 2020, clinging to the idea that “authentic” luxury is worth the sacrifice just feels… sad. What’s chic about anxiety? What’s glamorous about maxing out a card to keep up with someone’s Instagram feed?

Replicas don’t just democratize fashion—they decolonize it from corporate greed. They hand power back to the consumer and whisper, “You don’t need to play their game to win.

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High Fashion, Low Budget: Why Replicas Are the Real Couture Revolution

by Thea Elle | Apr 10, 2025 | Satire

Style Companion

High Fashion, Low Budget: Why Replicas Are the Real Couture Revolution

by Thea Elle | Apr., 10, 2025 | Satire

The red carpet was steaming this week—partly from the paparazzi flashbulbs, partly from the collective heat radiating off gowns worth more than your annual rent. But let’s be honest: the most striking accessory on display at the Fashion Trust U.S. Awards wasn’t a diamond necklace or bespoke gown—it was audacity.

Keke Palmer draped herself in OSCAR DE LA RENTA and owned the carpet like the IRS couldn’t touch her. Julia Fox, ever the disruptor, did clowncore meets dystopia and made it fashion. Meanwhile, behind the screens, we all stared from our fourth-hand IKEA couches wondering if we could afford knockoff pearls for prom season.

Which brings us to this revolutionary idea: maybe it’s time to stop fetishizing the price tag. Maybe, just maybe, replicas are the real luxury.

Hailey Bieber walking toward Coachella with a luxury bag

Red Carpets, Rent Prices & Replica Realness

Luxury fashion is no longer about exclusivity—it’s performance art with a credit score. While celebrities drape themselves in GUCCI and SAINT LAURENT, the rest of us have figured out a better way to play the game.

Replicas aren’t knock-offs—they’re narrative disruptors. When you walk into a party with a CHANEL-inspired crossbody that cost you less than your streaming subscriptions, you’re not faking it—you’re exposing it. You’re saying, “I can look rich without buying into the myth.”

Let’s not pretend the luxury industry hasn’t inflated its worth by gatekeeping. Real leather, sure. Artisanal stitching, fine. But does it justify quadrupling the price for a logo you saw three times on Emily in Paris? No. Not unless it also folds your laundry and calls your therapist.

Coachella Called. It Wants Its Budget Back.

It’s that time of year again—Coachella, where influencers migrate like glitter-drenched birds to the desert to cosplay as free spirits while wearing $8,000 worth of “casual” festival fashion. They’ll dance in the dust, sip overpriced smoothies, and pose next to art installations they don’t understand—all while toting bags that cost more than your monthly rent.

Let’s be real: no one’s at Coachella for the music anymore. They’re there to be seen, to curate a carousel post with that “accidental” shot of their CELINE bag slung effortlessly over their shoulder. And while you’re sitting at home, doomscrolling through the content, you might start to wonder if your life would be better with a SAINT LAURENT crossbody.

Spoiler alert: it wouldn’t. What will make your life better is not selling your soul (or plasma) for a handbag. Here’s the smarter move—grab a premium replica of that BOTTEGA VENETA clutch instead.

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Clowncore, Couture, and Carry-Ons: What Julia Fox Gets Right

Julia Fox gets it—fashion is about chaos, about costume, about commentary. If you’re going to dress like a lost Cirque du Soleil performer, the bag you carry should match the message.

And nothing screams “I understand the system and refuse to play fair” like a replica HERMÈS Birkin. You’re in on the joke—and looking great while telling it.

Julia Fox in clowncore makeup with a luxury-style bag

Fashion chaos meets capitalism critique

Luxury Is Dead. Long Live Style.

You don’t need the actual BALENCIAGA to walk with the confidence of royalty. All you need is a sharp eye, an appreciation for quality, and a refusal to buy into the exclusive, overpriced charade that’s become the hallmark of designer fashion.

In a world where brands have turned luxury into an inflated, status-symbol game, we’ve forgotten that style isn’t dictated by the price tag, but by the way you wear something. A well-curated look, an intuitive sense of what works for you—these things are priceless. The obsession with the “authentic” label has become less about craftsmanship or innovation, and more about what the label represents: wealth, exclusivity, and a certain brand of social power.

Own the Aesthetic, Ditch the System

Fashion is about self-expression, not self-ruin. While celebrities prance around in gowns that cost more than cars, there’s something deeply punk—and practical—about choosing quality replicas. You’re not chasing status. You’re owning the aesthetic, minus the system.

So go ahead—carry that PRADA-inspired tote. Be the Keke Palmer of your neighborhood. Be the Julia Fox of your feed. Because style isn’t about the label. It’s about the energy.

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Luxury Bags: For the Girl Who Has Everything (Except a Personality)

by Thea Elle | Apr 9, 2025 | Luxury Industrial Complex, Satire

Style Companion

Luxury Bags: For the Girl Who Has Everything (Except a Personality)

by Thea Elle | Apr., 09, 2025 | Luxury Industrial Complex

There’s a common belief that carrying a GUCCI bag or a LOUIS VUITTON tote will somehow elevate your entire existence. You’ll walk into a room, and suddenly, people will whisper in admiration, wondering who you are and what fascinating life you must lead. Spoiler alert: They won’t.

A luxury bag is many things—a status symbol, an investment (allegedly), a masterclass in leather stitching. But what it is not is a substitute for an actual personality. And yet, many believe that a DIOR saddle bag can magically transform them from an NPC into the main character.

If bags could grant charisma, then why do we keep meeting people with PRADA totes who have nothing to say beyond, “I just love my bag”? Something isn’t adding up.

According to a 2010 study in Psychological Science, people who associate material possessions with personal success tend to experience lower well-being and weaker interpersonal relationships. Translation? Your designer bag won’t make you any more interesting—it might just make you lonelier.

A designer boutique with luxury handbags on display.

The Great Personality Deficit: When Your Bag Does All the Talking

We’ve all encountered her: the girl who buys a HERMÈS Kelly and suddenly thinks she’s the second coming of Coco CHANEL. She walks into a restaurant, places her bag just so on the table, and waits for the compliments to roll in. And if they don’t? She’ll bring it up herself.

The problem isn’t that luxury bags exist—it’s that some people believe their BALENCIAGA City Bag is doing the heavy lifting of making them interesting. The truth? A FENDI Baguette can’t replace a personality, no matter how many influencers pretend it does.

At the end of the day, a bag is an accessory, not an identity. And if the most compelling thing about you is what you bought, it might be time to rethink some life choices.

Why Are We Obsessed With the Illusion of Depth?

So, why does this happen? Why do we believe that slinging a SAINT LAURENT over our shoulder will magically elevate our social currency? Because marketing has done its job brilliantly—it has embedded the fantasy that a GUCCI bag isn’t just an accessory; it’s a personality transplant. It’s you, but edited, retouched, and socially upgraded.

Luxury brands aren’t just selling leather goods. They’re selling identity makeovers. They’ve mastered the art of attaching emotional value to physical objects. That BOTTEGA VENETA Pouch isn’t just a handbag—it’s a silent proclamation that you’ve arrived. That you’re cultured. Worldly. The kind of person who drinks wine by the Seine and debates architecture over oysters. It’s not just a purchase—it’s a transformation.

But here’s the real kicker: once the buzz wears off and the shopping bag’s been tossed, you’re still you. Same bills. Same apartment. Same morning routine. The only thing that’s changed is the price tag hanging off your ego. Because luxury isn’t about utility—it’s about illusion.

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The Solution? Develop a Personality First

This isn’t an anti-luxury rant. Love your GIVENCHY bag. Cherish your DIOR tote. But also remember that an expensive handbag is not a replacement for substance. If you take away the LOEWE Puzzle bag, do you still have a personality worth remembering? If the answer is no, it’s time to fix that—before you swipe your card again.

A LOEWE handbag might make you look expensive, but it won’t make you interesting.

Because Confidence Can’t Be Monogrammed

You can’t fake presence with a purse. You can’t buy charisma in calfskin. And no amount of logo-drenched leather can distract from a dull personality. True allure doesn’t come from being draped in FENDI—it comes from knowing who you are when no one’s watching and there’s nothing designer on your arm.

Luxury should be the garnish, not the main course. A stylish bag can complement your vibe, but it shouldn’t be the vibe. So before you get in line for the next “It” bag drop, ask yourself: do you actually want the bag—or do you just want to feel like someone who deserves it?

Because when you walk into a room, the bag shouldn’t speak louder than you do.

The Bag Doesn’t Make You

A luxury handbag is a statement piece, not a statement about who you are. If your entire identity hinges on a MARC JACOBS snapshot bag, then maybe it’s time to ask yourself what you’re really trying to prove.

Style is great. Status is fun. But at the end of the day, the most interesting people in the room aren’t the ones clutching a JIMMY CHOO purse like a life raft—they’re the ones who don’t need it to feel complete.

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