Luxury Is Just Perception

Luxury Is Just Perception

Fake Luxury Shoe Store Prank proves Luxury is just Perception

What makes a product luxurious? Is it the quality of materials used or the craftsmanship involved? Or is it simply the brand image and the price tag? A recent PAYLESS Shoe Store prank suggests the answer is the latter.

PAYLESS rebranded their entire store and the name and significantly increased their prices; the results are fascinating.

PAYLESS, a low-priced footwear retailer in the US, rebranded its entire store and name for a weekend to test how much people would pay for their shoes if they didn’t know they were theirs. They built a fake luxury store called PALESSI, filled it with avant-garde sculptures and displays, hired an entire team of sales associates, and filled all the shelves with PAYLESS shoes, jacking up the prices by as much as 1800%.

Potential consumers were scouted from the streets and the Internet for social media influencers and fashionable people who looked likely to attend the event. Attendees purchased overpriced shoes, some for $200, $400, and $600, and were taken to the backroom, where the prank was revealed.

Consumers have been paying hugely inflated prices, some of the pleasures that we get from things that we buy come from the money we spent on them.”


Inside the PALESSI shoe store.

The results were fascinating. People were willing to pay hugely inflated prices for PAYLESS shoes simply because they were marketed as luxury items under the for this occasion invented brand name PALESSI. It shows that people care much more about the brand image and prices than the product and its quality.

This is not to say that all luxury brands are guilty of this. Some have legitimate reasons for their prices due to the high quality of materials used and the craftsmanship involved. A brand’s exclusivity is also marketed as a status symbol representing wealth and success. In many cases, the high prices of luxury items result from the market’s supply and demand.

People care a lot more about the brand image and, in some cases, the prices more so, than they do about the actual product and the quality of it.

Compliments are great, but would these fashionista influencer types open their wallets for our shoes? The PAYLESS team watched from the room backstage as the first customer approached the register. All celebrated the first sale, but then they witnessed more and more shoes selling. Shoes sold for 250, 400, and even $600.

Before they left, we let them know the shoes were from PAYLESS. Anyone who bought the shoes got them from PAYLESS as a gift, but we proved they could sell for over ten times the average PAYLESS price. Now anyone can come into PAYLESS and get these shoes for as low as 19.99.

People care a lot more about the brand image and, in some cases, the prices more so, than they do about the actual product and the quality of it. Even though this is nothing new, it makes you think more about the situation. So if we look at it in reverse and start with a luxury brand, for example, GUCCI, take a few of their products. For instance, you’ll see that the watch logo t-shirt or the Ace trainers are not luxury items. They’re just priced very highly. But because of GUCCI’s brand image, they’ll get categorized as luxury products, and many buyers buy into that.

This won’t be the case for every luxury brand, of course. Some have legitimate reasons for their prices due to the high quality of materials used and the craftsmanship involved. A brand’s exclusivity is also marketed as a status symbol representing wealth and success. In many cases, the high prices of luxury items result from the market’s supply and demand.

The debates surrounding luxury brand product quality and prices will continue forever.

However, the debates surrounding luxury brand product quality and prices will continue forever. Some argue that the high prices of luxury brands are unethical, as they often exploit the labor of workers in developing countries and perpetuate inequality. Critics also say that luxury goods marketing creates an unsustainable culture of overconsumption and waste.

On the other hand, some people argue that luxury brands are justified in charging high prices because they provide jobs and contribute to the economy. Others say that consumers have the right to spend their money on what they choose, including luxury items, and that the high prices reflect the value consumers place on the brand and its products.

In conclusion, the perception of luxury is not solely determined by its price tag, but by the overall value it holds for the consumer expressed through its brand identity, craftsmanship, and quality of materials. Whether or not the high prices of luxury brands are ethical and justified is a matter of perspective and values. It is important to understand that the value of a product is not just based on its price tag, but also on the emotional connection that consumers have with the brand identity and what it represents.

The Five Most Classic Luxury Handbags in History

The Five Most Classic Luxury Handbags in History

You can be sure these timeless luxury icons will never go out of style.

The luxury handbag world is vast, with both new handbag brands and new designs from storied luxury houses popping up season after season. Each year, there are countless silhouettes on the market, and consumers are blessed with more options than ever.

While consumers often pay attention to what’s new and trendy, demand will always remain for the tried and true classics – the ones that have stood the test of time. It’s those classics that have helped to shape fashion history contributing to the luxury accessory world we know (and love) today.

So whether you’re new to the world of designer bags and looking to purchase your first one, or are making it your goal to collect all of the classics, today we thought it would be fun to break day the 5 most luxury classic handbags in all of modern handbag history.

The HERMÈS Birkin

We’re kicking it off with one of the most elusive bags of handbag history, the unmistakeable HERMÈS Birkin.

If you love luxury handbags, you likely know the story of the Birkin’s creation, whether you own one or not. In the early 1980s, HERMÈS CEO Jean-Louis Dumas sat next to Jane Birkin on an airplane. In-flight, the duo discussed what would make a good carry-on bag after Jane Birkin was seen fumbling with hers.

One sketch on an airplane sick bag, and in 1984, the HERMÈS Birkin was born. To this day, it spawns waitlists and sells at a premium on the secondary market. It is still widely considered the world’s ultimate luxury bag.

LOUIS VUITTON Speedy

Like it or not, the LOUIS VUITTON Speedy will forever be classified as one of the most classic bags in handbag history, as well as one of the most recognisable. Dating back to the 1930s, the Speedy was conceptualized as LOUIS VUITTON’s first daily hauler and was largely based on another one of the brand’s classics: The Keepall. First introduced in the 30 size, the Speedy 25 was later added in 1959 at the request of none other than Audrey Hepburn. The actress was then photographed carrying her Speedy time and time again.

The Speedy’s range is vast, offering multiple sizes from ultra-petite to extra-large and a wide array of materials and colors. Of course, the brand’s monogram is ubiquitous and has an important history. The LOUIS VUITTON Monogram was already copyrighted in 1896 when it was invented by Louis Vuitton’s son Georges.

Combining Louis Vuitton’s initials with abstract floral shapes, the creation of LV Monogram was a radical move, as prior to this creation any initials typically seen on a trunk were usually the carrier’s own.

The Lady DIOR

The youngest handbag on our list, few other new handbag designs of the last 30 years have been able to stand the test of time in the way that the Lady DIOR has. However, it was basically destined to become handbag royalty since it was named after British royalty herself, the late Lady Diana, Princess of Wales. Few bags boast the versatility of the Lady DIOR, and its classic shape makes it an ageless icon.

Unmistakably DIOR, the Lady DIOR pays homage to the history of the House. While the bag’s charms are an ode to the lucky charms Christian Dior always kept with him, the staple Cannage motif traces back to the Napoleon III seats the House used to set up for guests at fashion shows. Reinvented season after season and forever a beloved choice for handbag lovers of any age, the Lady DIOR has cemented its place among other revered bags of its caliber.

CHANEL’s Classic Flap Bag

If you thought we’d leave out the CHANEL Classic Flap, you thought wrong.

Known by most as the CHANEL Classic Flap, the bag also goes by the CHANEL 11.12 and is one of the most widely recognizable handbags of all time. The name 11.12 comes from the original style code given by CHANEL to the Medium Classic Flap (A01112), the OG of the Classic Flap family. The original was derived from the CHANEL 2.55 bag and came to be what we know it as today in 1983, when Karl Lagerfeld added the now-signature interwoven CC turn lock to the bag.

Despite hefty price increases, the demand for the CHANEL Classic Flap shows no signs of slowing down. It has remained one of the handbag world’s most sought-after shapes thanks to its status, reinvented repeatedly.

GUCCI Bamboo

While not a specific bag exactly, GUCCI Bamboo deserves a place on this list as few elements of handbag history are as recognizable and inventive as the curved handles of Gucci Bamboo.

The patented method of creation was developed in 1947 by GUCCI craftsmen who realized there was a specific process to heat and bend bamboo in such a way that it would retain its shape once cooled.

The process is detailed and thorough, and you can be sure that each and every Bamboo piece used for a handbag has been hand-chosen by a specially trained artisan who will then mold the bamboo over a fire to bend it into shape. As the bamboo heats up, it softens, making it malleable.

Artisans have meticulously crafted GUCCI’s Bamboo Handles this way for generations. And while GUCCI Bamboo is easily one of the House’s most emblematic symbols, it also happens to be one of the handbag world’s most classic bags, remaining a mainstay for the House since the 1940s. A GUCCI Bamboo bag is one of the most timeless bags a handbag lover can buy.

Luxury Brand Logos and Friends

Luxury Brand Logos and Friends

Pop artist Andre Tan’s parody riffs on luxury logos.

A major portion of Singapore pop artist Andre Tan‘s parody riffs on the logos of international luxury brands like HERMÈS, CHANEL, LOUIS VUITTON, SUPREME, in combination with a number of comic and cartoon characters. These animated personalities interact with the luxury brands in anarchically improbable ways, generating a wink and a smile as recognition, then humor strikes its audience. Both brands and characters have high recognition factors in fields as varied as fashion, film, music, animation, and gaming, drawn from both Western sources as in comics and cartoons, or Eastern ones as in Manga or Anime. As such, they are drawn from the very fabric of contemporary popular culture, placing Andre firmly in the genre of pop art.

Andre Tan questions our negotiation of self- identity in the context of a mass- media economy.

Conceptualized for brand-conscious societies as ourselves, Andre goes beyond the mere juxtaposition of disparate images to construct complex witty tableaux as desirable as the products they parody. He blurs the boundaries between reality and the unreality project projected by the mass and consumer culture and questions our negotiation of self- identity in the context of a mass- media economy that remain largely driven by Western culture.

 

CHANEL 2.55 vs. Classic vs. CHANEL 2.55 Reissue

CHANEL 2.55 vs. Classic vs. CHANEL 2.55 Reissue

Everything You Need To Know about the most famous accessory in fashion history.

One could say that the CHANEL 2.55 is the eighth (fashion) world wonder. Why? Because it is a work of art, making it undoubtedly the most famous accessory in fashion history. But what makes the CHANEL 2.55 It-bag so unique? Here are some fascinating facts about the surprising past of the bag and Gabrielle’s personal influence on it.

Gabrielle “Coco” Chanel with her original 2.55 Bag

The original CHANEL 2.55

A rectangular shape made of quilted leather, with an all-chain strap and the Mademoiselle lock  – these are the most popular characteristics to identify the original CHANEL 2.55 bag. It was designed by Gabrielle Chanel herself in February 1955, at the age of 71. It wasn’t one of her first designs, but it was the creation that dominated the fashion scene for many years to come. The name of the accessory refers to the date and year the bag was created – a wonderful number combination that still hasn’t lost its spark until today.

What was the inspiration behind the CHANEL 2.55?

To understand why the CHANEL 2.55 BAG has increased in value in the past +60 years, one has to look at the handbag designs of the late 18th century. Handbags at that time were designed for the elite, the wealthy and mainly society ladies. The shape was boxy, and neoclassical, lacked in feminine silhouettes and didn’t allow women to walk hands-free. They were carried either on the crook of a woman’s arm or with both hands. It was one of the many reasons why Gabrielle was so eager to design a bag that could be better – classy, lightweight yet easy to carry around.

CHANEL 2.55 characteristics

The Exterior

It is no secret that the CHANEL 2.55’s elements have their roots in Gabrielle Chanels’s humble beginnings. Before its big debut in 1955, the CHANEL bag’s previous version, worn by the Gabrielle Chanel since the 1920s, was initially made of quilted wool. Gabrielle was always known for being very fond of equestrian sports and attended horse races frequently.

For the debut in February 1955, she opted for firmer materials, primarily black quilted leather with a diamond and herringbone pattern.

It is where she took inspiration for the exterior of the 2.55 – specifically jockey jackets and saddle blankets, to make up the soft silhouette. However, for the official debut in February 1955, she opted for firmer materials, primarily black quilted leather with a diamond and herringbone pattern. It proved to be a timeless material that would suit its wearer’s style and taste, no matter the occasion.

THE CHANEL 2.55 COMES IN BOTH DIAMOND- AND CHEVRON-QUILTED LEATHER. 

The Interior

The interior of the traditional Chanel 2.55 unveils the true charm of the It-bag. It is inspired by Coco Chanel’s memories, mainly the convent orphanage where she was raised. 

CHANEL 2.55 lamb dark red

The traditional CHANEL 2.55 is widely known as a Double Flap Bag, meaning it consists of an exterior flap and interior flap, plus a spacious compartment. The interior of the bag features a subtle burgundy red, inspired by Gabrielle’s Catholic school uniform. Another surprising little secret awaits on the inside of the front flap – a zip pocket that was added by Gabrielle to store secret love letters.

The Mademoiselle Lock

Many believe that the interlocked CC closure had been the original hardware since its debut in 1955. However, it wasn’t until the 1980s, that Karl Lagerfeld added the signature CC closure. The traditional lock of the Chanel 2.55 is known as the ‘Mademoiselle Lock’, an elegant rectangular clasp, referring to the fact that the female designer never married.

Chanel 2.55 vs Timeless Flap Bag

CHANEL 2.55 Reissue

The Reissue is a recreation of the classic CHANEL 2.55 from 1955 by Karl Lagerfeld. This term is mainly used to describe the models that were launched as part of the 50TH ANNIVERSARY of the brand in 2005. The Reissue commemorates the original and features the same details as the original bag, like the iconic Mademoiselle Lock and an all-metal chain strap.

However, since the launch of the 2.55 in 1955, newer models of the It-bag were released, featuring many variations to the iconic design. This includes everything from fabric to change of the chain strap and closure. It has often caused confusion among CHANEL fans.

Chanel 2.55 Handbag Tweed Pink

A FALL/WINTER 2014 SQUARE CHANEL 2.55 BAG MADE FROM PINK TWEED

Double Flap vs. Single Flap

The CHANEL 2.55 classifies as a Double Flap Bag. The same can be applied to the Classic Flap and the Reissue model. However, there was a time when 2.55 bags featured a single flap – with only the exterior flap closure and a spacious single compartment. They were discontinued in 2014, as they were being seen as deviating from the original. Since then, the double flap has become a standard element and a must-have feature in CHANEL bags.

CHANEL 2.55 vs. Classic Flap vs. CHANEL 2.55 Reissue

Here are some of the most significant differences to look out for:

CHANEL 2.55 (since 1955)

The CHANEL 2.55 has the following characteristics:

    • Has the iconic Mademoiselle Lock

    • Features the signature all-metal-chain 

    • consists of exterior and interior flap compartment, classified as double flap

Chanel 2.55 Reissue 225 Lamb Rose Handbag Silver Mademoiselle Lock

CHANEL 2.55 225 LAMB ROSE

CHANEL Classic Double Flap (introduced 1983)

The CHANEL 2.55 Classic Flap has the following characteristics:

    • Feature the popular CC turn-lock that was designed by Lagerfeld

    • The leather-interwoven chain strap 

    • Caviar or lambskin leather as exterior

    • Also classify as double flaps

CHANEL Reissue (introduced 2005)

The CHANEL Reissue is a recreation of the classic CHANEL 2.55 from 1955 by Karl Lagerfeld.

    • Has the iconic Mademoiselle Lock

    • Features the signature all-metal-chain 

    • consists of exterior and interior flap compartment, classified as double flap

    LOUIS VUITTON Leads the Vogue Business Luxury Brand Index

    LOUIS VUITTON Leads the Vogue Business Luxury Brand Index

    Despite economic uncertainty and digital disruption, luxury brand stalwarts DIOR GUCCI and CHANEL SAINT LAURENT also remain resilient in their leadership.

    A lot has changed in luxury over the past six months, with Covid restrictions easing in China, corporate reshuffles at LVMH, the acquisition of TOM FORD by ESTÉE LAUDER and the departure of Alessandro Michele from GUCCI. The top four brands of the VOGUE BusinessIndex have nonetheless remained the same, defending their positionings. Look under the hood, though, and some changes seem to be happening, with purchase intent down for most major players (except in China) and diminishing scores across many of the consumer metrics tracked.

    Few luxury consumers want to switch brands but may shop differently if prices increase, with a readiness to wait for sales.

    Survey data shows few consumers want to switch brands as economic instability continues but may shop differently if prices increase, with a readiness to wait for sales. Brands should continue to grow their digital reach, being mindful of the fastest-growing channels, and working with culturally important figures and collaborators in spaces like gaming, film/TV, hospitality, and leisure to cement their appeal even if times are tough.

    1. LOUIS VUITTON

    LVMH

    Rank change: 0

    A leader in almost all areas covered by the VOGUE Business Index, LOUIS VUITTON maintains its spot at the top of the rankings. Enthusiasm for the French Maison among luxury consumers only grew over the course of 2022, and its score on the innovation pillar improved too. New CEO Pietro Beccari has the strongest of foundations from which to work.

    2. DIOR

    LVMH

    Rank change: 0

    Beccari’s former home came incredibly close to unseating Louis Vuitton, but it was not to be this time. DIOR is once again the standout digital performer in the Index and even ranks slightly ahead of LOUIS VUITTON on purchase intent. One reason for its failure to take the top spot is it’s underdeveloped omnichannel (or cross-channel) shopping experience when compared to its peers.

    3. GUCCI

    Kering

    Rank change: 0

    Creative director Alessandro Michele has left, and GUCCI is at a crossroads. Demand for the brand has diminished among consumers across almost all of the major markets tracked, upping the pressure on Kering to pick an exciting successor. Despite this, GUCCI remains incredibly well-liked among luxury consumers worldwide and a pioneer across ESG (environmental, social, and governance), as well as all things digital.

    4. CHANEL

    Chanel Limited

    Rank change: 0

    Little has changed for CHANEL. Its resistance to digital sales and innovations like resale makes it a laggard in some of the key metrics tracked. The brand nevertheless impresses consumers more than any other when all VOGUE Business Index survey questions are taken into account, leading on awareness, recommendation, and purchase intent.

    5. SAINT LAURENT

    Kering

    Rank change: +2

    As the hype around Gucci has become more muted, SAINT LAURENT has been a bright spot for parent company Kering. It takes the fifth spot in the ranking from RALPH LAUREN in this edition of the Index. Consumer appreciation for the brand has increased over the course of the year and its digital performance has also improved. A new approach to ESG scoring that takes the work of parent companies like Kering more into account also helped SAINT LAURENT’s score. It continues to be a low scorer on innovation, with room for growth in this space.

    The article was adapted from voguebusiness.com.